Do you know "YOU SUI TOKU" ? YUDUITOKU is a person who lived in the Showa era end since beginning of Taishou era, and it has already died. YUSUITOKU had lived in Kanazawa and Kyoto. He experienced the time of high economic growth fighting and afterwards. YUSUITOKU seemed to start working in Kanazawa, and, at first, to have studied from the dye of back fabric of Haori or Gakuura. He seems that vision and the sketch power that is the base of the design might have been excellent. Child who is depicted in this kimono called Tango Child. Tango Child means a child who did hairstyle of China style (Bundling one or two place in the upper part, and takeing off the rest) or who took off off China style. In the Tang Dynasty age, pattern that had depicted children was actively drawn in China. The pattern was spread to Japan and it came to be called the Tang child. Especially, the pattern that depicted a lot of boys assumed leading to prosperity of descendant and was valued highly as a bringer of good luck. The Tang child whom 1st YUSUITOKU draws has some character. The child wear clothe that comes to under his knee like a kind of dress and put trousers like voluminous Japanese style pantaloons. The string of a cloth soft like Hacotai is reeled to child's waist. Child's shoes are like Kicts to which the tiptoe face upes. The child reels the string of a soft cloth to the waist, and is sweeping shoes like Kicts that its tiptoe face upes. Round, puffy face minute eyes never hardly look at here directly to the cheek of 3,4 life size by the upward glance use in a headless figure. It is suitable for the under and side. As for the small mouth, bright red seems to be painted red. The hand moves greatly, and is expressed variously. It is good that it doesn't raise up, it unites ahead, it applauds, and the hand of the playing child is quiet and understands both hands. It is coexistence of "Response and motion" that is felt in such a picture. If it bubbles over and the child turns, I feel quiet geostationary though it must be a bright and throbbed image of the movement "It is quiet and deep". Isn't this grace alone seen through quietly, and deep a feature of ten founder YUSUITOKU's work? And, it might be the one that this part was liked by a lot of people. This "Junoesque" invites eyes of the person who sees to the world of Gen though there is kimono that draws the child in no small way. Oneself played to keep drawing Ulwashi female figure, and to draw such a coquettish expression, and Mr. seemed to have observed various looks and movements at the play though he was ten founder Yomiz Hisashi's work that made "Quietness" felt like this. Mr. uncommon talent is not an exaggeration to say completion by hard-working efforts. The kimono that Mr. drew also had the time that had been called many millions of with one child. In this Iroirosode, 27 Tang Dynasty children are drawn in the table. Only seeing because of various expression play doesn't get tired either. The child is drawn also in Hakkake. 29 in all. YUSUITOKU's profile 1913 born in Kanazawa city 1927 Goes out to Kyoto and started to training of Yuzen-printed kimono at KONYASEISHOU 1938 became independent in Kyoto 1947 Returned to Kanazawa 1966 One-man show holding in various places such as Tokyo in , Osaka, Kobe, Kanazawa, Sendai, and Takamatsu 1973 Assumption of director of Kaga dye promotion society 1975 "Work collection of YUSUITOKU" was publicated (Fuji art publication) 1977 recognized as a traditional craftsman 1978 recognized as a Ishikawa Prefecture specificated intangible cultural asset Kaga yuzen technological holder. One-man show holding in British Oxford and West Germany Dusseldorf 1982 One-man show holding in the United States Seattle City cultural hall 1984 Two works are adopted as '84 version greeting card design of UNICEF and put on the market in various places. 1988 Win "The 8th tradition cultural Pola grand prize" Death age at death 74 years old on July 10
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